Maxine

As a mixed media artist, my work is rooted in the interplay of diverse materials, textures, and emotions. Each piece reflects a lifetime of experiences, discoveries, and evolving creative exploration. Through the freedom that mixed media affords, I incorporate printmaking, mark-making, painting, textiles, and found objects—cutting, layering, and re-arranging elements to form new visual narratives.

While my compositions are abstract, they invite close inspection. Within the layers, viewers often discover subtle stories, moments of sentiment, and unexpected connections. My intention is to encourage a quiet, immersive experience—one that allows each viewer to find their own meaning through the materials and arrangements I so thoughtfully assemble.

I have been both a practicing artist and an educator for over 40 years. Teaching has deepened my appreciation for process, experimentation, and continuous learning. My approach is informed by the quote: “It always pays to dwell slowly on the beautiful things—and the more beautiful, the more slowly.” This proposal is inspired by that ethos: to present a collection of works that embody a sense of slowness, attention, and beauty in transformation.

In the summer of 2023, I was honored to be an Artist in Residence at Constellation Studios in Lincoln, Nebraska, where I studied under master printmaker Karen Kunc. There, I expanded my practice through new printmaking and papermaking techniques. I returned to my studio with a fresh array of ideas—what I call “gems”—waiting for a setting in which they could truly shine.

My current body of work includes clay monoprinting and mixed media collage. While the materials and techniques have evolved over time, a consistent visual language has emerged—one that weaves color, texture, and form into cohesive and expressive compositions. Each summer, I continue to take workshops to deepen my practice and renew my energy and vision.